General
Appadurai, A. (1990). "Disjuncture and
Difference in the Global Cultural Economy." Public Culture 2(2):
1-24.
Art
Marsala (Italy). Galleria civica d'arte
contemporanea. (1991). Il Sud del mondo: l'altra arte contemporanea.
Milano, Mazzotta.
Martin, J.-H. and e. al. (1989). Magiciens de
la terre. Paris, Editions du Centre Pompidou.
Thomas, N. (1999). Possessions: indigenous art,
colonial culture. New York, N.Y., Thames and Hudson.
Music
Ewbank, A. J. and F. T. Papageorgiou, Eds. (1997).
Whose master's voice?: the development of popular music in thirteen
cultures. Contributions to the study of music and dance no. 41.
Westport, Conn., Greenwood Press.
Feld, S. (1995). From Schizophnia to
Schisomogenesis: the discourses and practices of world music and world
beat. The traffic in culture: refiguring art and anthropology. G.
E. Marcus and F. R. Myers. Berkeley, University of California Press:
96-126.
Laing, D. (1986). "The Music Industry and the
'Cultural Imperialism' Thesis." Media, Culture and Society 8:
331-341.
Nettl, B., R. M. Stone, et al., Eds. (1998). The
Garland encyclopedia of world music. New York, Garland Pub. 10
volumes
Roberts, M. (1992). "'World Music' and the
Global Cultural Economy." Diaspora 2(2):
229-242.
Schnabel, T. (1998). Rhythm planet: the great
world music makers. New York, Universe Pub.
Taylor, T. D. (1997). Global pop: world music,
world markets. New York, Routledge.
Weinstein, N. C. (1993). A Night in Tunisia:
imaginings of Africa in jazz. New York, Limelight Editions.
Africa
Art
Deliss, C., Whitechapel Art Gallery., et al.
(1995). Seven stories about modern art in Africa: an exhibition.
Paris; New York, Flammarion.
Kasfir, S. L. (1999). Contemporary African Art.
London ; New York, Thames & Hudson.
Oguibe, O. and O. Enwezor, Eds. (1999). Reading
the contemporary: African art from theory to the marketplace.
London; Cambridge, Mass., Institute of International Visual Arts; MIT
Press.
Vogel, S. (1991). Africa Explores: 20th Century
African Art. New York, The Center for African Art.
Music
Bender, W. (1991). Sweet Mother: Modern African
Music. Chicago, University of Chicago Press.
Collins, J. (1985). Music Makers of West Africa.
Washington, D.C., Three Continents Press.
Collins, J. (1992). West African Pop Roots.
Philadelphia, Temple University Press.
Stewart, G. (1992). Breakout: profiles in
African rhythm. Chicago, University of Chicago Press.
Stone, R. M., Ed. (1999). The Garland handbook
of African music. Garland reference library of the humanities ; vol.
1170. New York, Garland.
Sunkett, M. (1995). Mandiani drum and dance:
Djimbe performance and Black aesthetics from Africa to the New World.
Tempe, AZ, White Cliffs Media.
Senegal
Art
Bouttiaux, A.-M. and Musée royal de l'Afrique
centrale. (1994). Senegal behind glass: images of religious and daily
life. Munich ; New York, Prestel in association with the Royal
Museum of Central Africa.
McEvilley, T. and Museum for African Art (New York
N.Y.) (1993). Fusion: West African Artists at the Venice Biennale.
New York, Munich, Museum for African Art; Prestel.
Harney, E. (1995). The tapestries of Thies: woven
images of negritude. Art of African textiles: technology, tradition,
and lurex. J. Picton. London, Barbican Art Gallery; Lund Humphries
Publishers: 33-34.
Seck, A. (1980). Contemporary art of Senegal :
[catalogue of an exhibition]. s.l., s.n.
Mali and the Mande World
Art
Aherne, T. D. (1992). Nakunte Diarra:
bogolanfini artist of the beledougou. Bloomington, Indiana
University Art Museum.
Music
Charry, E. S. (2000). Mande music: traditional
and modern music of the Maninka and Mandinka of Western Africa.
Chicago, University of Chicago Press.
Suso, F. M. and et al (1996). Jali Kunda griots of
West Africa and beyond. Roslyn, NY, Ellipsis Arts.
Nigeria
Art
Aas, N. (1994). "Obiora Udechukwu: Uli art
and beyond." NKA: journal of contemporary African art 1:
60-61.
Beier, U. (1991). Thirty Years of Oshogbo Art.
Bayreuth, Iwalewa.
Buraimoh, J. (1991). Turning Point: an
exhibition of bead works and paintings: exhibition National Museum,
Lagos, Feb-March 1991. Lagos, National Museum.
Malone, A. (1990). Nigerian art: kindred spirits.
Alexandria, VA, PBS Video.
Ottenberg, S. (1997). New traditions from
Nigeria: seven artists of the Nsukka group. Washington [D.C.],
Smithsonian Institution Press in association with the National Museum of
African Art.
Vaz, K. M. (1995). The Woman with the Artistic
Brush: a life history of Yoruba batik artist Nike Davies. Armonk,
M.E. Sharpe.
Music
Moore, C. (1982). Fela, Fela, this bitch of a
life. London, Allison & Busby.
Veal, M. E. (2000). Fela: the life & times
of an African musical icon. Philadelphia, Temple University Press.
Waterman, C. A. and A. Adeleke (1990). Jùjú:
a social history and ethnography of an African popular music.
Chicago, The University of Chicago Press.
Central Africa
Art
Jewsiewicki, B. (1991). Painting in Zaire: from
the invention of the West to the representation of social self. Africa
Explores: 20th century African art. S. M. Vogel. New York, Center
for African Art: 56-77.
Jewsiewicki, B., J.-C. Lefebvre, et al. (1995). Chéri
Samba: the hybridity of art = l'hybridité d'un art. Westmount,
Québec, Galérie Amrad African Art Publications.
Music
Sarno, L. and B. L. Krause (1995). Bayaka: the
extraordinary music of the Babenzele pygmies and sounds of their forest
home. Roslyn, Ellipsis Arts.
Stewart, G. (2000). Rumba on the river: a
history of the popular music of the two Congos. London ; New York,
Verso.
East Africa
Art
Berns, M. C. and National Museum of African Art
(1995). Ceramic gestures: new vessels by Magdalene Odundo.
Washington, National Museum of African Art.
Odundo, M., Y. Joris, et al. (1994). Magdalene
Odundo. 's-Hertogenbosch, Museum Het Kruithuis.
Music
Samite, G. H. Ivers, et al. (1997). Song of the
refugee a message of hope from Africa. (videorecordings) [S.l.], Distributed by PBS Adult
Learning Service.
Zimbabwe
Art
Cousins, J. (1991). "The Making of Zimbabwean
Stone Sculpture." Third Text 13: 31-42.
Pearce, C. (1993). "The Myth of "Shona
Sculpture."" Zambezia 20(2): 85-107.
Sultan, O. (1992). Life in stone: Zimbabwean
sculpture: birth of a contemporary art form. Harare, Baobab Books.
Music
Berliner, P. (1993). The soul of mbira: music
and traditions of the Shona people of Zimbabwe: with an appendix,
Building and playing a Shona karimba. Chicago, University of Chicago
Press.
Turino, T. (2000). Nationalists, cosmopolitans,
and popular music in Zimbabwe. Chicago, University of Chicago Press.
South Africa
Art
Arnold, M. I. (1996). Women and art in South
Africa. New York, Cape Town, St. Martin's Press, David Philip.
Herreman, F., M. D'Amato, et al. (1999). Liberated
voices: contemporary art from South Africa. New York; Munich, The
Museum for African Art; Prestel.
Hobbs, P. and E. D. Rankin (1997). Printmaking:
in a transforming South Africa. Cape Town ; Johannesburg, D. Philip.
Klopper, S. (1996). "Whose Heritage?: the
Politics of Cultural Ownership in Contemporary South Africa." NKA:
Journal of Contemporary African Art 5: 34-37.
Sack, S. (1988). The Neglected Tradition:
Towards a New History of South African Art (1930-1988).
Johannesburg, Johannesburg Art Gallery.
Williamson, S. (1990). Resistance art in South
Africa. New York, St. Martin's Press.
Williamson, S. and A. Jamal (1996). Art in
South Africa: the future present. Cape Town, David Philip.
Younge, G. (1988). Art of the South African
Townships. New York, Rizzoli.
Music
Coplan, D. B. (1985). In township tonight!:
South Africa's Black city music and theatre. London; New York,
Longman.
Coplan, D. B. (1993). A Terrible Commitment:
Balancing the Tribes in South African National Culture. Perilous
States: Conversations on Culture, Politics, and Nation. G. E.
Marcus. Chicago, University of Chicago Press: 305-358.
Coplan, D. B. (1994). In the time of cannibals:
the word music of South Africa's Basotho migrants. Chicago,
University of Chicago Press.
Erlmann, V., Ed. (1991). African stars: studies
in Black South African performance. Chicago studies in
ethnomusicology. Chicago, University of Chicago Press.
Erlmann, V. (1996). Nightsong: performance,
power, and practice in South Africa. Chicago, University of Chicago
Press.
Erlmann, V. (1999). Music, modernity, and the
global imagination : South Africa and the West. New York, Oxford
University Press.
Caribbean
Art
Bender, W. (1992). Rastafari-Kunst aus Jamaica.
Bremen, CON.
Bomani, A. and B. Rooks, Eds. (1992). Paris
Connections: African and Caribbean artists in Paris. San Francisco,
Q.E.D. Press.
Butcher, J. (1989). "Peter Minshall: Trinidad
carnival and the carnivalesque." International review of African
American art 8(3): 39-48.
Cosentino, D. and University of California Los
Angeles. Fowler Museum of Cultural History., Eds. (1995). Sacred arts
of Haitian vodou. Los Angeles, UCLA Fowler Museum of Cultural
History.
Nunley, J. W. and J. Bettelheim (1988). Caribbean
Festival Arts: Each and Every Bit of Difference. St. Louis, The
Saint Louis Art Museum.
Polk, P. A. (1997). Haitian Vodou flags.
Jackson, University Press of Mississippi.
Poupeye, V. (1998). Caribbean art. New
York, N.Y., Thames and Hudson.
Rodman, S. (1988). Where Art Is Joy: Haitian
Art: The First Forty Years. New York, Ruggles de Latour.
Music
Aparicio, F. R. (1998). Listening to salsa:
gender, Latin popular music, and Puerto Rican cultures. Hanover, NH,
University Press of New England.
Averill, G. (1997). A day for the hunter, a day
for the prey: popular music and power in Haiti. Chicago, University
of Chicago Press.
Béhague, G. and University of Miami. North-South
Center, Eds. (1994). Music and Black ethnicity: the Caribbean and
South America. New Brunswick, N.J., Transaction Publishers.
Berrian, B. F. (2000). Awakening spaces: French
Caribbean popular songs, music, and culture. Chicago, [Ill.],
University of Chicago Press.
Browning, B. (1998). Infectious rhythm:
metaphors of contagion and the spread of African culture. New York,
Routledge.
Daniel, Y. (1995). Rumba: dance and social
change in contemporary Cuba. Bloomington, Indiana University Press.
Foster, C. (1999). Roots, rock, reggae: an oral
history of reggae music from ska to dancehall. New York, Billboard.
Guilbault, J., G. Averill, et al. (1993). Zouk:
world music in the West Indies. Chicago, University of Chicago
Press.
Jahn, B. and T. Weber (1998). Reggae island:
Jamaican music in the digital age. New York, Da Capo Press.
Moore, R. (1997). Nationalizing blackness:
afrocubanismo and artistic revolution in Havana, 1920-1940.
Pittsburgh, Pa., University of Pittsburgh Press.
Pacini Hernandez, D. (1995). Bachata: a social
history of a Dominican popular music. Philadelphia, Temple
University Press.
Potash, C., Ed. (1997). Reggae, Rasta,
revolution: Jamaican music from ska to dub. New York; London,
Schirmer Books; Prentice Hall International.
Stolzoff, N. C. (2000). Wake the town &
tell the people: dancehall culture in Jamaica. Durham N.C., Duke
University Press.
Stuempfle, S. (1995). The Steelband movement
the forging of a national art in Trinidad and Tobago. Philadelphia,
University of Pennsylvania Press.
Waters, A. M. (1985). Race, class, and
political symbols: Rastafari and reggae in Jamaican politics. New
Brunswick, U.S.A., Transaction Books.
Latin America
Art
Music
Browning, B. (1995). Samba: resistance in
motion. Bloomington, Indiana University Press.
McGowan, C. and R. Pessanha (1998). The
Brazilian sound: samba, bossa nova, and the popular music of Brazil.
Philadelphia, Temple University Press.
Middle East
Zuhur, S. (1998). Images of enchantment: visual
and performing arts of the Middle East. Cairo, American University
in Cairo Press.
Art
Ali, W. (1991). An Introduction to Modern Art in
the Islamic World. Il Sud Del Mundo. Marsala: 73-78.
Karnouk, L. (1988). Modern Egyptian art: the
emergence of a national style. Cairo, Egypt, American University in
Cairo Press.
Karnouk, L. (1995). Contemporary Egyptian art.
Cairo, Egypt, American University in Cairo Press.
Nashashibi, S. M., L. Nader, et al. (1994). Forces
of change: artists of the Arab world. Lafayette, Calif., Washington,
D.C., International Council for Women in the Arts, National Museum of
Women in the Arts.
Music
Danielson, V. (1997). The voice of Egypt : Umm
Kulthum, Arabic song, and Egyptian society in the twentieth century.
Chicago, University of Chicago Press.
Southeast Asia
Art
Grey Art Gallery & Study Center., Bucknell
University. Center Gallery., et al. (1985). Contemporary Indian art:
from the Chester and Davida Herwitz family collection. New York,
N.Y., Grey Art Gallery and Study Center New York University.
Malik, K. (1991). Indian Art Past and Present. Il
Sud Del Mundo. Marsala: 95-98.
Sen, G. (1996). Image and imagination: five
contemporary artists in India. Ahmedabad; Middletown, NJ, Mapin Pub.
Pvt. Ltd. ; Grantha Corp.
Tuli, N. (1998). Indian contemporary painting.
New York, N.Y., Abrams.
Music
Lockard, C. A. (1998). Dance of life: popular
music and politics in Southeast Asia. Honolulu, HI, University of
Hawaii Press.
Pesch, L. (1999). The illustrated companion to
South Indian classical music. Delhi, Oxford University Press.
Oceania
Art
Mataira, K. (1984). Maori artists of the South
Pacific. Raglan, N.Z., New Zealand Maori Artists & Writers Soc.
Nicholas, D. and K. Kaa (1986). Seven Maori
artists: interviews. Wellington, N.Z., V.R. Ward Govt. Printer.
Szekely, C. (1996). Korurangi: new Maori art.
Auckland, N.Z., Auckland Art Gallery Toio Tamaki.
Music
McLean, M. (1996). Maori music. Auckland,
Auckland University Press.
McLean, M. (1999). Weavers of song: Polynesian
music and dance. Honolulu, University of Hawaii Press.
Australia
Art
Bardon, G. (1991). Defining the Dreamtime and
Origin of the Painting Movement. Australian Aboriginal Art from the
Collection of Donald Kahn. Miami, Lowe Art Museum: 4-6,
25-30.
Baume, N. (1989). "The Interpretation of
Dreamings: the Australian Aboriginal Acrylic Movement." Art and
Text 33: 110-120.
Benjamin, R. (1990). "Aboriginal Art:
exploitation or empowerment." Art in America 78:
73-81.
Berndt, R. M. (1972). "The Changing Face of
the Aboriginal Arts." Anthropological Forum 3(2):
146-156.
Brody, A. (1984). Kunwinjku Bim: Western Arnhem
Land Paintings from the Collection of the Aboriginal Arts Board.
Melbourne, National Gallery of Victoria.
Chatwin, B. (1987). The Songlines. New
York, Viking. (pp. 23-29,
Davila, J. (1987). "Aboriginality: a
lugubrious game?" Art and Text 23-4: 53-56.
Haskovec, I. P. and H. Sullivan (1989).
Reflections and Rejections of an Aboriginal Artist. Animals into art.
H. Morphy. London, Allen & Unwin: 57-74.
Hossack, R. (1991). Dreamtime to Machine Time: the
contemporary art of Austrlia. Il Sud Del Mundo. Marsala: 109-114.
Isaacs, J. (1989). Aboriginality: contemporary
Aborigine painting and prints, University of Queensland Press.
Johnson, V. (1995). "Maxie Tjampitjinpa: the
minimal mythologist." Art + Text 50: 54-59.
Layton, R. (1992). Art and Anthropology. Anthropology,
Art, and Aesthetics. J. Coote and A. Shelton. Oxford, Oxford
University Press: 137-159.
Marcus, J. (1988). "Bicentenary Follies:
Australian in Search of Themselves." Anthropology Today 4(3):
4-5.
Megaw, J. V. S. (1982). "Western Desert
Acrylic Painting-- artefact or art?" Art History 5(2):
205-218.
Megaw, J. V. S. (1990). Art as Identity: aspects
of contemporary aboriginal art. Art and Identity in Oceania. A.
F. Hanson and L. Hanson. Honolulu, University of Hawaii Press: 282-292.
Michaels, E. (1988). "Bad Aboriginal
Art." Art and Text 28: 59-73.
Morgan, S. (1987). My place. Boston,
Little.
Mundine, J. (1989). "Aboriginal Art in
Australia Today." Third Text 6: 33-44.
Myers, F. (1991). "Representing Culture: the
production of discourse(s) for Aboriginal acrylic paintings." Cultural
Anthropology 6(1): 26-62.
Oguibe, O. (1995). Fiona Foley: medium, memory,
and melancholy. Atlantica: 12.
Rankin-Reid, J. (1989). "Colonial
Foreplay." Artscribe International 77:
12-13.
Rubinstein, M. R. (1989). "Outstations of the
Postmodern: Aboriginal acrylic painting of the Western Australians
Desert." Arts Magazine 63(6): 40-47.
Sutton, P. and e. al., Eds. (1988). Dreamings:
the art of Aboriginal Australia. New York, The Asia Society
Galleries.
Nicoll, F. (2000). "White Aborigines:
identity politics in Australian art." Postcolonial Studies:
Culture, Politics, Economy 3(1): 111-.
Tillers, I. (1991). Locality Fails. The Myth of
Primitivism: perspectives on art. S. Hiller. London, Routledge:
315-325.
von Sturmer, J. (1989). "Aborigines,
Representation, Necrophilia." Art and Text 32:
127-139.
Williams, N. (1976). Australian Aboriginal Art at
Yirrkala: the introduction and development of marketing. Ethnic and
Tourist Arts: cultural expressions from the Fourth World. N. H. H.
Graburn. Berkeley, University of California Press: 266-284.
Willis, A.-M. and T. Fry (1988). "Art as
Ethnocide: the case of Australia." Third Text 5:
3-20.
Music
Dunbar-Hall, P. (1996). "Rock Songs as
Messages: Issues of health and lifestyle in Central Australian
Aboriginal Communities." Popular Music and Society 20(2):
43-67.
Dunbar-Hall, P. (1997). "Music and Meaning:
the Aboriginal rock album." Australian Aboriginal Studies 1:
38-47.
Gibson, C. (1998). "`We sing our home, we
dance our land': Indigenous self-determination and contemporary
geopolitics." Environment & Planning D: Society & Space
16(2): 163-185.
Newton, J. (1990). "Becoming 'Authentic'
Australians Through Music." Social Analysis 27:
93-101.
Yunupingu, M. (1994). "Yothu Yindi: finding
balance." Race and Class 35(4): 113-120.