Bibliography

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General

Appadurai, A. (1990). "Disjuncture and Difference in the Global Cultural Economy." Public Culture 2(2): 1-24.

Art

Marsala (Italy). Galleria civica d'arte contemporanea. (1991). Il Sud del mondo: l'altra arte contemporanea. Milano, Mazzotta.

Martin, J.-H. and e. al. (1989). Magiciens de la terre. Paris, Editions du Centre Pompidou.

Thomas, N. (1999). Possessions: indigenous art, colonial culture. New York, N.Y., Thames and Hudson.

Music

Ewbank, A. J. and F. T. Papageorgiou, Eds. (1997). Whose master's voice?: the development of popular music in thirteen cultures. Contributions to the study of music and dance no. 41. Westport, Conn., Greenwood Press.

Feld, S. (1995). From Schizophnia to Schisomogenesis: the discourses and practices of world music and world beat. The traffic in culture: refiguring art and anthropology. G. E. Marcus and F. R. Myers. Berkeley, University of California Press: 96-126.

Laing, D. (1986). "The Music Industry and the 'Cultural Imperialism' Thesis." Media, Culture and Society 8: 331-341.

Nettl, B., R. M. Stone, et al., Eds. (1998). The Garland encyclopedia of world music. New York, Garland Pub. 10 volumes

Roberts, M. (1992). "'World Music' and the Global Cultural Economy." Diaspora 2(2): 229-242.

Schnabel, T. (1998). Rhythm planet: the great world music makers. New York, Universe Pub.

Taylor, T. D. (1997). Global pop: world music, world markets. New York, Routledge.

Weinstein, N. C. (1993). A Night in Tunisia: imaginings of Africa in jazz. New York, Limelight Editions.

Africa

Art

Deliss, C., Whitechapel Art Gallery., et al. (1995). Seven stories about modern art in Africa: an exhibition. Paris; New York, Flammarion.

Kasfir, S. L. (1999). Contemporary African Art. London ; New York, Thames & Hudson.

Oguibe, O. and O. Enwezor, Eds. (1999). Reading the contemporary: African art from theory to the marketplace. London; Cambridge, Mass., Institute of International Visual Arts; MIT Press.

Vogel, S. (1991). Africa Explores: 20th Century African Art. New York, The Center for African Art.

Music

Bender, W. (1991). Sweet Mother: Modern African Music. Chicago, University of Chicago Press.

Collins, J. (1985). Music Makers of West Africa. Washington, D.C., Three Continents Press.

Collins, J. (1992). West African Pop Roots. Philadelphia, Temple University Press.

Stewart, G. (1992). Breakout: profiles in African rhythm. Chicago, University of Chicago Press.

Stone, R. M., Ed. (1999). The Garland handbook of African music. Garland reference library of the humanities ; vol. 1170. New York, Garland.

Sunkett, M. (1995). Mandiani drum and dance: Djimbe performance and Black aesthetics from Africa to the New World. Tempe, AZ, White Cliffs Media.

Senegal

Art

Bouttiaux, A.-M. and Musée royal de l'Afrique centrale. (1994). Senegal behind glass: images of religious and daily life. Munich ; New York, Prestel in association with the Royal Museum of Central Africa.

McEvilley, T. and Museum for African Art (New York N.Y.) (1993). Fusion: West African Artists at the Venice Biennale. New York, Munich, Museum for African Art; Prestel.

Harney, E. (1995). The tapestries of Thies: woven images of negritude. Art of African textiles: technology, tradition, and lurex. J. Picton. London, Barbican Art Gallery; Lund Humphries Publishers: 33-34.

Seck, A. (1980). Contemporary art of Senegal : [catalogue of an exhibition]. s.l., s.n.

Mali and the Mande World

Art

Aherne, T. D. (1992). Nakunte Diarra: bogolanfini artist of the beledougou. Bloomington, Indiana University Art Museum.

Music

Charry, E. S. (2000). Mande music: traditional and modern music of the Maninka and Mandinka of Western Africa. Chicago, University of Chicago Press.

Suso, F. M. and et al (1996). Jali Kunda griots of West Africa and beyond. Roslyn, NY, Ellipsis Arts.

Nigeria

Art

Aas, N. (1994). "Obiora Udechukwu: Uli art and beyond." NKA: journal of contemporary African art 1: 60-61.

Beier, U. (1991). Thirty Years of Oshogbo Art. Bayreuth, Iwalewa.

Buraimoh, J. (1991). Turning Point: an exhibition of bead works and paintings: exhibition National Museum, Lagos, Feb-March 1991. Lagos, National Museum.

Malone, A. (1990). Nigerian art: kindred spirits. Alexandria, VA, PBS Video.

Ottenberg, S. (1997). New traditions from Nigeria: seven artists of the Nsukka group. Washington [D.C.], Smithsonian Institution Press in association with the National Museum of African Art.

Vaz, K. M. (1995). The Woman with the Artistic Brush: a life history of Yoruba batik artist Nike Davies. Armonk, M.E. Sharpe.

Music

Moore, C. (1982). Fela, Fela, this bitch of a life. London, Allison & Busby.

Veal, M. E. (2000). Fela: the life & times of an African musical icon. Philadelphia, Temple University Press.

Waterman, C. A. and A. Adeleke (1990). Jùjú: a social history and ethnography of an African popular music. Chicago, The University of Chicago Press.

Central Africa

Art

Jewsiewicki, B. (1991). Painting in Zaire: from the invention of the West to the representation of social self. Africa Explores: 20th century African art. S. M. Vogel. New York, Center for African Art: 56-77.

Jewsiewicki, B., J.-C. Lefebvre, et al. (1995). Chéri Samba: the hybridity of art = l'hybridité d'un art. Westmount, Québec, Galérie Amrad African Art Publications.

Music

Sarno, L. and B. L. Krause (1995). Bayaka: the extraordinary music of the Babenzele pygmies and sounds of their forest home. Roslyn, Ellipsis Arts.

Stewart, G. (2000). Rumba on the river: a history of the popular music of the two Congos. London ; New York, Verso.

East Africa

Art

Berns, M. C. and National Museum of African Art (1995). Ceramic gestures: new vessels by Magdalene Odundo. Washington, National Museum of African Art.

Odundo, M., Y. Joris, et al. (1994). Magdalene Odundo. 's-Hertogenbosch, Museum Het Kruithuis.

Music

Samite, G. H. Ivers, et al. (1997). Song of the refugee a message of hope from Africa. (videorecordings) [S.l.], Distributed by PBS Adult Learning Service.

Zimbabwe

Art

Cousins, J. (1991). "The Making of Zimbabwean Stone Sculpture." Third Text 13: 31-42.

Pearce, C. (1993). "The Myth of "Shona Sculpture."" Zambezia 20(2): 85-107.

Sultan, O. (1992). Life in stone: Zimbabwean sculpture: birth of a contemporary art form. Harare, Baobab Books.

Music

Berliner, P. (1993). The soul of mbira: music and traditions of the Shona people of Zimbabwe: with an appendix, Building and playing a Shona karimba. Chicago, University of Chicago Press.

Turino, T. (2000). Nationalists, cosmopolitans, and popular music in Zimbabwe. Chicago, University of Chicago Press.

South Africa

Art

Arnold, M. I. (1996). Women and art in South Africa. New York, Cape Town, St. Martin's Press, David Philip.

Herreman, F., M. D'Amato, et al. (1999). Liberated voices: contemporary art from South Africa. New York; Munich, The Museum for African Art; Prestel.

Hobbs, P. and E. D. Rankin (1997). Printmaking: in a transforming South Africa. Cape Town ; Johannesburg, D. Philip.

Klopper, S. (1996). "Whose Heritage?: the Politics of Cultural Ownership in Contemporary South Africa." NKA: Journal of Contemporary African Art 5: 34-37.

Sack, S. (1988). The Neglected Tradition: Towards a New History of South African Art (1930-1988). Johannesburg, Johannesburg Art Gallery.

Williamson, S. (1990). Resistance art in South Africa. New York, St. Martin's Press.

Williamson, S. and A. Jamal (1996). Art in South Africa: the future present. Cape Town, David Philip.

Younge, G. (1988). Art of the South African Townships. New York, Rizzoli.

Music

Coplan, D. B. (1985). In township tonight!: South Africa's Black city music and theatre. London; New York, Longman.

Coplan, D. B. (1993). A Terrible Commitment: Balancing the Tribes in South African National Culture. Perilous States: Conversations on Culture, Politics, and Nation. G. E. Marcus. Chicago, University of Chicago Press: 305-358.

Coplan, D. B. (1994). In the time of cannibals: the word music of South Africa's Basotho migrants. Chicago, University of Chicago Press.

Erlmann, V., Ed. (1991). African stars: studies in Black South African performance. Chicago studies in ethnomusicology. Chicago, University of Chicago Press.

Erlmann, V. (1996). Nightsong: performance, power, and practice in South Africa. Chicago, University of Chicago Press.

Erlmann, V. (1999). Music, modernity, and the global imagination : South Africa and the West. New York, Oxford University Press.

Caribbean

Art

Bender, W. (1992). Rastafari-Kunst aus Jamaica. Bremen, CON.

Bomani, A. and B. Rooks, Eds. (1992). Paris Connections: African and Caribbean artists in Paris. San Francisco, Q.E.D. Press.

Butcher, J. (1989). "Peter Minshall: Trinidad carnival and the carnivalesque." International review of African American art 8(3): 39-48.

Cosentino, D. and University of California Los Angeles. Fowler Museum of Cultural History., Eds. (1995). Sacred arts of Haitian vodou. Los Angeles, UCLA Fowler Museum of Cultural History.

Nunley, J. W. and J. Bettelheim (1988). Caribbean Festival Arts: Each and Every Bit of Difference. St. Louis, The Saint Louis Art Museum.

Polk, P. A. (1997). Haitian Vodou flags. Jackson, University Press of Mississippi.

Poupeye, V. (1998). Caribbean art. New York, N.Y., Thames and Hudson.

Rodman, S. (1988). Where Art Is Joy: Haitian Art: The First Forty Years. New York, Ruggles de Latour.

Music

Aparicio, F. R. (1998). Listening to salsa: gender, Latin popular music, and Puerto Rican cultures. Hanover, NH, University Press of New England.

Averill, G. (1997). A day for the hunter, a day for the prey: popular music and power in Haiti. Chicago, University of Chicago Press.

Béhague, G. and University of Miami. North-South Center, Eds. (1994). Music and Black ethnicity: the Caribbean and South America. New Brunswick, N.J., Transaction Publishers.

Berrian, B. F. (2000). Awakening spaces: French Caribbean popular songs, music, and culture. Chicago, [Ill.], University of Chicago Press.

Browning, B. (1998). Infectious rhythm: metaphors of contagion and the spread of African culture. New York, Routledge.

Daniel, Y. (1995). Rumba: dance and social change in contemporary Cuba. Bloomington, Indiana University Press.

Foster, C. (1999). Roots, rock, reggae: an oral history of reggae music from ska to dancehall. New York, Billboard.

Guilbault, J., G. Averill, et al. (1993). Zouk: world music in the West Indies. Chicago, University of Chicago Press.

Jahn, B. and T. Weber (1998). Reggae island: Jamaican music in the digital age. New York, Da Capo Press.

Moore, R. (1997). Nationalizing blackness: afrocubanismo and artistic revolution in Havana, 1920-1940. Pittsburgh, Pa., University of Pittsburgh Press.

Pacini Hernandez, D. (1995). Bachata: a social history of a Dominican popular music. Philadelphia, Temple University Press.

Potash, C., Ed. (1997). Reggae, Rasta, revolution: Jamaican music from ska to dub. New York; London, Schirmer Books; Prentice Hall International.

Stolzoff, N. C. (2000). Wake the town & tell the people: dancehall culture in Jamaica. Durham N.C., Duke University Press.

Stuempfle, S. (1995). The Steelband movement the forging of a national art in Trinidad and Tobago. Philadelphia, University of Pennsylvania Press.

Waters, A. M. (1985). Race, class, and political symbols: Rastafari and reggae in Jamaican politics. New Brunswick, U.S.A., Transaction Books.

Latin America

Art

Music

Browning, B. (1995). Samba: resistance in motion. Bloomington, Indiana University Press.

McGowan, C. and R. Pessanha (1998). The Brazilian sound: samba, bossa nova, and the popular music of Brazil. Philadelphia, Temple University Press.

Middle East

Zuhur, S. (1998). Images of enchantment: visual and performing arts of the Middle East. Cairo, American University in Cairo Press.

Art

Ali, W. (1991). An Introduction to Modern Art in the Islamic World. Il Sud Del Mundo. Marsala: 73-78.

Karnouk, L. (1988). Modern Egyptian art: the emergence of a national style. Cairo, Egypt, American University in Cairo Press.

Karnouk, L. (1995). Contemporary Egyptian art. Cairo, Egypt, American University in Cairo Press.

Nashashibi, S. M., L. Nader, et al. (1994). Forces of change: artists of the Arab world. Lafayette, Calif., Washington, D.C., International Council for Women in the Arts, National Museum of Women in the Arts.

Music

Danielson, V. (1997). The voice of Egypt : Umm Kulthum, Arabic song, and Egyptian society in the twentieth century. Chicago, University of Chicago Press.

Southeast Asia

Art

Grey Art Gallery & Study Center., Bucknell University. Center Gallery., et al. (1985). Contemporary Indian art: from the Chester and Davida Herwitz family collection. New York, N.Y., Grey Art Gallery and Study Center New York University.

Malik, K. (1991). Indian Art Past and Present. Il Sud Del Mundo. Marsala: 95-98.

Sen, G. (1996). Image and imagination: five contemporary artists in India. Ahmedabad; Middletown, NJ, Mapin Pub. Pvt. Ltd. ; Grantha Corp.

Tuli, N. (1998). Indian contemporary painting. New York, N.Y., Abrams.

Music

Lockard, C. A. (1998). Dance of life: popular music and politics in Southeast Asia. Honolulu, HI, University of Hawaii Press.

Pesch, L. (1999). The illustrated companion to South Indian classical music. Delhi, Oxford University Press.

Oceania

Art

Mataira, K. (1984). Maori artists of the South Pacific. Raglan, N.Z., New Zealand Maori Artists & Writers Soc.

Nicholas, D. and K. Kaa (1986). Seven Maori artists: interviews. Wellington, N.Z., V.R. Ward Govt. Printer.

Szekely, C. (1996). Korurangi: new Maori art. Auckland, N.Z., Auckland Art Gallery Toio Tamaki.

Music

McLean, M. (1996). Maori music. Auckland, Auckland University Press.

McLean, M. (1999). Weavers of song: Polynesian music and dance. Honolulu, University of Hawaii Press.

Australia

Art

Bardon, G. (1991). Defining the Dreamtime and Origin of the Painting Movement. Australian Aboriginal Art from the Collection of Donald Kahn. Miami, Lowe Art Museum: 4-6, 25-30.

Baume, N. (1989). "The Interpretation of Dreamings: the Australian Aboriginal Acrylic Movement." Art and Text 33: 110-120.

Benjamin, R. (1990). "Aboriginal Art: exploitation or empowerment." Art in America 78: 73-81.

Berndt, R. M. (1972). "The Changing Face of the Aboriginal Arts." Anthropological Forum 3(2): 146-156.

Brody, A. (1984). Kunwinjku Bim: Western Arnhem Land Paintings from the Collection of the Aboriginal Arts Board. Melbourne, National Gallery of Victoria.

Chatwin, B. (1987). The Songlines. New York, Viking. (pp. 23-29,

Davila, J. (1987). "Aboriginality: a lugubrious game?" Art and Text 23-4: 53-56.

Haskovec, I. P. and H. Sullivan (1989). Reflections and Rejections of an Aboriginal Artist. Animals into art. H. Morphy. London, Allen & Unwin: 57-74.

Hossack, R. (1991). Dreamtime to Machine Time: the contemporary art of Austrlia. Il Sud Del Mundo. Marsala: 109-114.

Isaacs, J. (1989). Aboriginality: contemporary Aborigine painting and prints, University of Queensland Press.

Johnson, V. (1995). "Maxie Tjampitjinpa: the minimal mythologist." Art + Text 50: 54-59.

Layton, R. (1992). Art and Anthropology. Anthropology, Art, and Aesthetics. J. Coote and A. Shelton. Oxford, Oxford University Press: 137-159.

Marcus, J. (1988). "Bicentenary Follies: Australian in Search of Themselves." Anthropology Today 4(3): 4-5.

Megaw, J. V. S. (1982). "Western Desert Acrylic Painting-- artefact or art?" Art History 5(2): 205-218.

Megaw, J. V. S. (1990). Art as Identity: aspects of contemporary aboriginal art. Art and Identity in Oceania. A. F. Hanson and L. Hanson. Honolulu, University of Hawaii Press: 282-292.

Michaels, E. (1988). "Bad Aboriginal Art." Art and Text 28: 59-73.

Morgan, S. (1987). My place. Boston, Little.

Mundine, J. (1989). "Aboriginal Art in Australia Today." Third Text 6: 33-44.

Myers, F. (1991). "Representing Culture: the production of discourse(s) for Aboriginal acrylic paintings." Cultural Anthropology 6(1): 26-62.

Oguibe, O. (1995). Fiona Foley: medium, memory, and melancholy. Atlantica: 12.

Rankin-Reid, J. (1989). "Colonial Foreplay." Artscribe International 77: 12-13.

Rubinstein, M. R. (1989). "Outstations of the Postmodern: Aboriginal acrylic painting of the Western Australians Desert." Arts Magazine 63(6): 40-47.

Sutton, P. and e. al., Eds. (1988). Dreamings: the art of Aboriginal Australia. New York, The Asia Society Galleries.

Nicoll, F. (2000). "White Aborigines: identity politics in Australian art." Postcolonial Studies: Culture, Politics, Economy 3(1): 111-.

Tillers, I. (1991). Locality Fails. The Myth of Primitivism: perspectives on art. S. Hiller. London, Routledge: 315-325.

von Sturmer, J. (1989). "Aborigines, Representation, Necrophilia." Art and Text 32: 127-139.

Williams, N. (1976). Australian Aboriginal Art at Yirrkala: the introduction and development of marketing. Ethnic and Tourist Arts: cultural expressions from the Fourth World. N. H. H. Graburn. Berkeley, University of California Press: 266-284.

Willis, A.-M. and T. Fry (1988). "Art as Ethnocide: the case of Australia." Third Text 5: 3-20.

Music

Dunbar-Hall, P. (1996). "Rock Songs as Messages: Issues of health and lifestyle in Central Australian Aboriginal Communities." Popular Music and Society 20(2): 43-67.

Dunbar-Hall, P. (1997). "Music and Meaning: the Aboriginal rock album." Australian Aboriginal Studies 1: 38-47.

Gibson, C. (1998). "`We sing our home, we dance our land': Indigenous self-determination and contemporary geopolitics." Environment & Planning D: Society & Space 16(2): 163-185.

Newton, J. (1990). "Becoming 'Authentic' Australians Through Music." Social Analysis 27: 93-101.

Yunupingu, M. (1994). "Yothu Yindi: finding balance." Race and Class 35(4): 113-120.

 

 

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