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bulletAguilar, N., Fundação Bienal de São Paulo, et al.. Afro-Brazilian art. São Paulo, SP, Brasil, Fundação Bienal de São Paulo: Associação Brasil 500 Anos Artes Visuais, 2000.
 
bulletAmarala, A.A. and P. Herkenholfm eds. Ultramodern: The Art of Contemporary Brazil. Washington DC: N. Museum Women, 1993.
 
bulletAraújo, E and C. E. M. d. Moura. Art in Afro-Brazilian religion. São Paulo, SP, Brasil, Câmara Brasileira do Livro, 1994
 
bulletArmstrong, Elizabeth, Vic tor Zamudio-Taylor. Ultra Baroque: Aspects of Post Latin American Art. San Diego: Museum of Contemporary Art, 2000.
 
bulletBarata, M.. "The Negro in the Plastic Arts of Brazil" The African Contribution of Brazil. Rio de Janeiro, 1966.
 
bulletBaronov, David. The Abolition of Slavery in Brazil. Westport: Greenwood Press, 2000.
 
bulletBastide, Roger. The African Religions of Brazil. Baltimore: John Hopkins University Press, 1960.
 
bulletBehague, Gerard, H.. "Notes on Regional and National Trends in Afro-Brazilian Cult Music" Tradition and Renewal. ed. M.H. Foster. Urbana, 1975. 68-78.
 
bulletBethell, Leslie. The Abolition of Brazilian Slave Trade. New York: Cambridge University Press, 1970.
 
bulletBossi, Laura. "Once Upon a Time in Brazil" Domus. 835. March 2001. 16-18.
 
bullet

Browning, Barbara Infectious Rhythm: Metaphors of Contagion and the Spread of African Culture. New York: Routledge, 1998.
 

bulletBrowning, Barbara. Samba: Resistance in Motion. Bloomington: Indiana University Press, 1995.
 
bulletCarlisle, Cristina. "A Boom with Many Views. The Latin American Art World" Art News. 96. June 1997. 100-101.
 
bulletCarvaho, Jose Jorge de. Afro-Brazilian Music and Rituals Part 1, From Traditional Genres to the Beginnings of Samba. Madison: University of Wisconsin-Madison, 1999.
 
bulletCarvalho, J. J. d.. “Black music of all colors: the construction of black ethnicity in ritual and popular genres of Afro-Brazilian music.” Music and Black ethnicity: the Caribbean and South America. G. Béhague and University of Miami. North-South Center. New Brunswick, N.J., Transaction Publishers, 1994.
 
bulletCarvalho, J. J. d.. “The multiplicity of black identities in Brazilian popular music.” Black Brazil: culture, identity, and social mobilization. L. Crook and R. Johnson. Los Angeles, UCLA Latin American Center Publications University of California Los Angeles, 1999.
 
bulletCarvalho, J.J.d. "Music of African Origin in Brazil" Africa in Latin America. Ed. M.M. Fraginal New York: Holmes and Meier Publishers INC, 1984. 227-248.
 
bulletColle, Marie-Pierre. Latin American Artists in their Studios. New York: Vendom Press, 1994.
 
bulletde Correa, Azevedo. "Music and Musicians of African Origin in Brazil" World of Music. 24. #2, 1982. 53-63.
 
bulletda Silva, Behedita. An Afro-Brazilian Woman’s Story of politics and Love. Monroe: Food First, 1997.
 
bulletDavis, Darien. Avoiding the Dark. England: Ashgate Publishers Ltd., 1997.
 
bulletDay, Holliday T.. Art of the Fantastic: Latin America 1920-1987. Indianapolis: Indianapolis Museum of Art, 1987.
 
bulletDrewal, H. J., D. C. Driskell, et al.. Introspectives: contemporary art by Americans and Brazilians of African descent. Los Angeles, Calif., California Afro-American Museum Foundation, 1989.
 
bulletDzidzenyo, Anani. The Position of Blacks in Brazilian Society. London: Minority Rights Group, 1971.
 
bulletEbony,David. "The Plight of Matter" Art in America. 89. #2. Feb 2001. 104-109.
 
bulletFryer, Peter. Rhythms of Resistance: African Musical Heritage in Brazil. Middletown: Wesleyan University Press, 2000.
 
bulletFuntaine, Pierre-Michel, ed. Race, Class, and Power in Brazil. Los Angles: Center for Afro-American Studies, 1985.
 
bulletFerretti, Sergio F.. "Religions Syncretism in an Afro-Brazilian Cult House" Reinventing Religions: Syncretism and Transformations in Africa and the Americas. Eds. Sidney M. Greenfield and Andre Oroogers New York: Rowen and Littlefield Publishers INC, 2001.
 
bulletFruchtam, Brooke. "Made in Brazil" Magazine of International Design. 49. #1. Feb 2002. 78-79.
 
bulletGalembo, P. and R. F. Thompson. Divine inspiration: from Benin to Bahia. Albuquerque, University of New Mexico Press, 1993.
 
bulletGalinsky, P.. "Co-option, Cultural Resistance and Afro-Brazilian Identity: A History of the Pagode Samba Movement in Rio de Janeiro" Latin American Music Review vxii, 1996.
 
bulletGuillermopneto, Alma. Samba. New York: Vintage Books, 1991.
 
bulletHaugenia, Angelique, M. Priscilla Stone, and Peter D. Little. Commodities and Globalization. Lanham: Rowen and Littlefield Publishers INC., 2000*
 
bulletHerskovits, M.J.. "Drums and Drummers in Afro-Brazilian Cult Life" Music Quarterly, xxx. 1944, 477-92.
 
bulletLucie-Smith, Edward. Latin American Art of the 20th Century. London: Thomas and Hudson, 1993.
 
bulletMacAdams, Barbara. "Art from Brazil in New York" Art News. 94. April1995. 146-147.
 
bulletMcGowan, C. and R. Pessanha. The Brazilian Sound: Samba, Bossa Nova, and the Popular Music of Brazil. Philadelphia, Temple University Press, 1998.
 
bulletMorin, France. "The Quiet in the Land: Everyday Life, Contemporary Art, and Projeto Axe" Art Journal. 59. #3. Fall 2000. 4-17.
 
bulletMorin, France. "The Quiey in the Land: Resistance and Healing Through Art" Art Journal. 59. #1. 7-10.
 
bulletOmari, M. S.. "From the Inside to the Outside: The Art and Ritual of Bahian Candomble" **
 
bulletPerrone, Charles A. and Christopher Dunn, eds. Brazilian Popular Music and Globalization. Gainesville: University of Florida, c2001.
 
bulletPinho, P.. "Rhythms of Resistance: A African Musical Heritage in Brazil" Hispanic American Historical Review. 81. #2. May 2001. 423-424.
 
bulletRaphael, A.. "From Popular Culture to Microenterprise: The History of Brazilian Samba Schools" Latin American Music Review xi, 1990. Page ??
 
bulletRebello Goncalves, Lisbeth. "Brazil 500: Rediscovering Brazil" Art Nexus. 37. Aug/Oct 2 000. 44-49.
 
bulletRedmond, Sudie. "Blame it on Brazil: Carnival Celebration" American Photo. 4. March/April 1993. 44-45.
 
bulletRobrahn Gonzalez, Erkia Marion. "Regional Pottery-Making Groups in Southern Brazil" Antiquity. 72. #277. Sep 1998. 616-624.
 
bulletRodman, Selden. Genius in the Backlands: Popular Artists of Brazil. Old Greenwich: The Devin- Adair Company, 1977.
 
bulletSenie, Harriet. "Public Art in Brazil" Sculpture. 17 #2. Feb 1998. 38-44.
 
bulletShaw, L.. The Social History of the Brazilian Samba. Brookfield: Ashgate,1999.
 
bulletSullivan, Edward J., ed. Latin American Art in the Twentieth Century. London: Phaidon Press, 1996.
 
bulletSullivan, E. J.. Brazil: Body and Soul. New York, Guggenheim Museum, 2001.
 
bulletValerio, Tadeu. "Music: Album Cover Design in Brazil" Print. 41. Nov/Dec 1987. 90-99.
 
bulletValladates, C. P.. The Impact of African Culture in Brazil. Rio de Janeiro, 1977.
 
bulletVianna, H.. The Mystery of Samba Popular Music and National Identity in Brazil. Chapel Hill: University of North Carolina Press, c1 998.
 
bulletWaddy, R.C.. "Capoeira, Samba, Candomble, Afro-Brazilian Music in Bahia" Latin American Music Review. 13. #1. Spring/Summer 1992. 126-130.
 
bulletWoodall, James. A Simple Brazilian Song: Journey through the Rio Sound. London: Warner Books, 1998.

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This page was last edited 04/11/2002
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