Bib- Cuba
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Bettelheim, Judith.  Cuban Festivals: An Illustrated Anthology.  New York: Garland Pub., 2001.
 

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Bettelheim, Judith.  “Palo Monte Mayombe and Its Influence on Cuban Contemporary Art.”  African Arts XXXIV #2 (2001): 36-49.
 

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Block, Holly, Gerardo Mosquera, Eugenio Valdés Figueroa, Orlando Hernández, and Antonio Eligio (Tonel).  Art Cuba.  New York: Harry N. Abrams, Inc., 2001.
 

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Camnitzer, Luis.  New Art of Cuba.  Austin, TX: University of Texas Press, 1994.
 

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Daniel, Yvonne.  Rumba: Dance and Social Change in Contemporary Cuba U.S.A.: Indiana University Press, 1995.
 

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Dare, Valerie, and Salvador Ferreras.  Music of Cuba: From Son to Salsa. Vancouver, BC: British Colombia Teachers’ Federation, 1997.
 

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Eligio Fernández, Antonio.  “A Tree From Many Shores: Cuban Art in Movement.”  Art Journal 57, no. 2 (1998): 62-73. 
 

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Fuentes-Pérez, Ileana, Graciella Cruz-Taura, et al.  Outside Cuba: Contemporary Cuban Visual Artists.  New Brunswick: Coral Gables, Office of Hispanic Arts Mason Gross School of the Arts Rutgers the State University of New Jersey; Research Institute for Cuban Studies Graduate School of International Studies University of Miami Florida, 1989.
 

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Hagedorn, Katherine J.  Divine Utterances: the Performance of Afro-Cuban Santeria.  Washington, D.C.: Chesham, 2001.
 

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Hunter, Mark.  “The Cuban Counterfeits.”  Art News 10 (1998): 148-155.
 

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Kirk, John M. and Leonardo Padura.  Culture and the Cuban Revolution: Conversations In Havana.  Gainesville, FL: University Press of Florida, 2001.
 

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 Leymarie, Isabelle.  Cuban Fire:  the Saga of Salsa and Latin Jazz.  New York: Continuum, 2001.
 

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 Manuel, Peter Lamarche.  Essays on Cuban Music: North American and Cuban Perspectives.  Lanham, MD: University Press of America, 1991.
 

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 Martínez, Juan A.  Cuban Art and National Identity: the Vanguardia Painters,1927-1950.  Gainesville, FL: University Press of Florida, 1994.
 

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Mason, John.  “Yoruba-American Art: New Rivers to Explore.”  Yoruba Artist: New Theoretical Perspectives on African Art.  Rowland Abiodun, Henry J. Drewal and John Pemberton.  Washington, D.C.: Smithsonian Institution Press, 1994. 241-50.
 

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Moore, Robin.  Nationalizing Blackness: Afrocubanismo and Artistic Revolution in Havana.  Pittsburgh, PA: University of Pittsburgh Press, 1997.
 

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Power, Kevin, Dannys Montes de Oca Moreda, and Lupe Álvarez.  While Cuba Waits: Art From The Nineties.  Santa Monica, CA: Smart Art Press, 1999.
 

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Rodriguez, Victoria Eli.  “Cuban Music and Ethnicity: Historical Considerations.” Music and Black Ethnicity: the Caribbean and South America.  Gerard Béhague and University of Miami.  North-South Center.  New Brunswick, N.J.: Transaction Publishers, 1994.
 

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Roy, Maya.  Cuban Music.  Princeton, NJ: Markus Weiner Publishers, 2002.
 

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Sweeney, Philip.  The Rough Guide to Cuban Music.  London: Rough Guides, 2001.
 

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 Thompson, Robert Farris and N.Y. Museum for African Art.  Face of the Gods: Art and Altars of Africa and the African Americas.  New York, Munich, Museum for African Art: Prestel, 1993.
 

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Valdés Figueroa, Eugenio.  Utopian Territories: New Art From Cuba. Vancouver: Contemporary Art Gallery: Morris and Helen Belkin Art Gallery, 1997.
 

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Wenders, Wim Donata Wenders, et al.  Buena Vista Social Club: the Companion Book to the Film.  New York: te Neues, 2000. 
 

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Yanow, Scott.  Afro-Cuban Jazz.  San Francisco, CA: Miller Freeman Books, 2000.
 

bullet            Zeitlin, Marilyn A., Gerardo Mosquera, and Tonel (Antonio Eligio Fernández). Contemporary Art from Cuba.  New York: Delano Greenidge Editions,1999.

 

Please send all comments and suggestions to Eli Bentor
This page was last edited 04/11/2002
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