Bib - DR of Congo
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Ewen, Graeme.  Congo Colossus:  The Life and Legacy of Franco and OK Jazz.  North Walsham:  Buku, 1994.
 

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Fabian, Johannes.  Moments of Freedom:  Anthropology and Popular Culture.  Charlottesville:  University Press of Virginia, 1998. 
 

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Fabian, Johannes.  “Popular Culture in Africa:  Findings and Conjectures.”  Readings in Popular African Culture.  Bloomington:  Indiana University Press, 18 – 28, 1997.
 

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Fabian, Johannes.  Remembering the Present:  Painting and Popular History in Zaire.  Berkeley:  University of California Press, 1996.
 

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Feld, S.  “The Poetics and Politics of Pygmy Pop.”  Westerm Music and Its Others:  Difference, Representation, and Appropriation in Music.  G. Born and D. Hesmondhalgh.  Berkeley:  University of California Press, 2000.
 

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Gondola, Ch. Didier. “Popular Music, Urban Society, and Changing Gender Relations in Kinshasa, Zaire (1950-1990).” Gendered Encounters: Challenging Cultural Boundaries and Social Hierarchies in Africa.  Ed.  M . L. Grosz-Ngaté and O. H. Kokole.  New York:  Routledge, 1997.
 

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Jewsiewicki, Bogumil.  “Collective Memory and the Stakes of Power : A Reading of Popular Zaïrian Historical Discourses.”  History in Africa.  1986, 195 – 223.
 

bullet Jewsiewicki, Bogumil.  Chéri Samba : the Hybridity of Art.  Westmount, Québec : Galérie Amrad African Art Publications, 1995.
 

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Jewsiewicki, Bogumil.  Painting in Zaire:  From the Invention of the West to the Representation of Social Self.  Africa Explores:  20th Century African Art.  S. M. Vogel.  New York, Center for African Art: 56 – 77, 1991.
 

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Jewsiewicki, Bogumil.  Popular Art Painting in Zaire:  Art Bodo, Lelo, Moke, Cheri Samba, Syms, Simsimaro.  New York:  OAN, 1992.
 

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Jules-Rosette, Bennetta.  The Ideology of Authenticity and Popular African Art:  the Cases of Zaire and Zambia.  United States:  African Studies Association, 1981.
 

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Jules-Rosette, Bennetta.  The Messages of Tourist Art:  An African Semiotic System in Comparative Perspective.  New York:  Plenum Press, 1984.
 

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Jules-Rosette, Bennetta.  “What is ‘Popular?’:  The Relationship Between Zairian Popular Art and Tourist Paintings.”  Art Pictural Zaïrois.  1992, 41-62.
 

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Mukuna, Kazadi wa.  “The Evolution of Urban Music in Democratic Republic of Congo During the Second and Third Decades (1975-1995) of the Second Republic.”  Journal of the International Library of African Music.  1999.
 

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Mukuna, Kazadi wa.  “The Genesis of Urban Music in Zaire.”  African Music.  1992, 72–84.
 

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Mukuna, Kazadi wa.  “Latin America Musical Influences in Zaire.”  The Garland Encyclopedia of World Music.  1998:  383-388.
 

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Parisel, Philippe & Nzuzi, Lelo.  “Kinshasa:  Walls That Speak.”  African Arts.  Summer 1995:  44-55.
 

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Prince, Rob.  “Zaire and Now.”  Folk Roots.  July 1989, 21 – 23.
 

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Roberts, Allen.  “A Note on Contemporary Popular Sculpture in Southeastern Zaire.”  Art Pictural Zairois.  Ed. Bogumil Jewsiewicki.  Sillery, Quebec:  Septentrion, 1992.
 

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Rosen, Miriam.  “Cheri Samba:  Griot of Kinshasa and Paris.”  Artforum International.  Mar. 1990, 137 – 40.
 

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Samba, Cheri.  Cheri Samba:  A Retrospective.  London:  Institute of Contemporary Arts, 1991.
 

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Sarno, Louis.  Bayaka.  The Extraordinary Music of the Ba-Benzele Pygmies.  New York:  Ellipses Arts, 1995.
 

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Sarno, L.  Song From the Forest:  My Life Among the Ba-Benjelle Pygmies.  Boston:  Houghlin Mifflin, 1993.
 

bulletStewart, Gary.  Rumba on the River:  A History of the Popular Music of the Two Congos.  London:  Verso, 2000.
 
bulletTurnbull, Colin.  The Forest People.  New York: Simon & Schuster, 1968.
 

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Vegel, Susan.  Urban Art:  Art of the Here and Now.  New York:  Center for African Art, 1991.
 

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Young, Crawford.  “Painting the Burden of the Past : History as Tragedy.”  Art  Pictural Zairois.  Ed. Bogumil Jewsiewicki.  Sillery, Quebec:  Septentrion, 1992.

 

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This page was last edited 04/11/2002
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