Bib - South Africa
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Arnold, Marion, and John P. Rourke. South African botanical art: peeling back the petals.  ed. Vlaeberg, S.A.: Fernwood Press in association with Art Link, 2001.
 

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---. Women and Art in South Africa. Cape Town: St. Martin’s Press, 1996.
 

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Brathwaite, Phillipa, and Karen Stead. “SA ceramics coup in NY.” House and leisure. Cape Town. October. 1998: 42-43.
 

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Bruinders, Sylvia Ruth. “Creating community through music and dance in post-apartheid art from South African townships.” Diss. Wesleyan U, 1999.
 

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Byerly, Ingrid B. “The music indaba: music as a mirror, mediator, and prophet in the South African transition from apartheid to democracy.” Duke U, 1996.
 

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Campschreur, Willem, and Joost Divendal. Culture in another South Africa. New York: Olive Branch Press, 1989.
 

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Chilvers, Garth, and Tom Jasukowicz. History of contemporary music of South Africa. Braamfontein, S.A.: Toga Pub., 1994.
 

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D’Amato, Mark, and Frank Herreman. Liberated voices: contemporary art from South Africa. New York: Museum for African Art, 1999.
 

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De Jagner, E.J. Art, artist and society: a social-historical perspective on contemporary South African Black art. Bophuthatswana, S.A.: University of Bophuthatswana, Institute of African Studies, 1990.
 

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---. “Contemporary African art in South Africa.” African Insight. Pretoria. 1987: 209     213.
 

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---. Images of man: contemporary South African black art and artists. Alice, S.A.: Fort  Hare Univesity Press, in association with the Fort Hare Foundation, 1992.
 

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Dikerson, Leanne, and Matthew Chaplin. “Art on the Margins.” Big Issue Cape Town. Cape Town. October. 2000: 26-27.
 

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Ebrahim, Ebrahim I. Ebrahim Ismail Ebrahim, statement to the apartheid court. London: ANC, 1989.
 

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Enwezor, Okwui, and Olu Oguibe, ed. Reading the contemporary: African art from theory to the marketplace. 1st ed. London: MIT Press, 1999.
 

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Erlmann, Veit. African stars: studies in Black South African performance. Chicago: University of Chicago Press, 1996.
 

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---. Music, modernity, and the global imagination: South Africa and the West. New York: Oxford University Press, 1999.
 

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---. Nightsong:performance, power, and practice in South Africa. Chicago: University of Chicago, 1996.
 

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Floyd, Malcolm. Composing the music of Africa: composition, interpretation, and realization. Aldershot: Ashgate, 1999.
 

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Galla, Amareswar. “Transformation in South Africa: a legacy challenged.” Museum International. Paris. April-June.1999: 38-43
 

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*Gordon, Antony. The role of cultural expression in the struggle for non-racial democracy in South Africa: with particular emphasis on music, theatre, and the changing philosophy of the cultural boycott in South Africa. 1990.
 

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Hamm, Charles. Afro-American music, South Africa, and apartheid. Brooklyn: Institute for Studies in American Music, Brooklyn College of the City University of New York, 1988.
 

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Kivnick, Helen Q. Where is the way: Song and struggle in South Africa. New York: Penguin Books, 1990.
 

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*Lebaka, Morakeng E.K. The ritual use of music in indigenous African religion: a Pedi perspective. Pretoria: 2001.
 

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Mathabane, Mark. Kaffir boy: the true story of a Black youth’s coming of age in Apartheid South Africa. New York: Simon & Schuster, 1998.
 

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---. Miriam’s song. London: Simon & Schuster, 2001.
 

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*Meintjes, Louise. Paul Simon’s Graceland, South Africa, and the mediation of musical meaning. 1988.
 

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Milton, Blue. “New blood: contemporary rock and the S.A. music industry.” A.D.A. Cape Town. 1995.
 

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National Museum of African Art. Claiming art, reclaiming space: post-apartheid art from South Africa. Washington D.C.: The Museum, 1999.
 

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Neke, Gael. Reforming the past: South African art bound to apartheid. Johannesburg: University of the Witwatersrand, 1999.
 

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Nooter, Mary K. Secrecy: African art that conceals and reveals. New York: Museum for African Art, 1993.
 

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October Gallery. South Africa. London: The October Gallery, 1996.
 

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Roberts, Allen F. “‘Break the silence’ art and HIV/AIDS in Kwa Zulu-Natal.” African arts. Los Angeles. Spring. 2001: 36-49; 93-95.
 

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Tracey, Andrew T.N. Papers presented at the Symposium of Ethnomusicology, number 15, held in conjunction with ‘Confluences’: Ballet School, University of Cape Town, 1997. Grahamstown, S.A.: International Library of African Music, 1999.

Please send all comments and suggestions to Eli Bentor
This page was last edited 04/11/2002
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