THR 2011 Introduction to Theatre
Department of Theatre and Dance
markngma@appstate.edu
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Chapter 8
Artistic Impersonation
Historical
Perspectives on Acting
The
Social Status of Acting
-Greek
-Roman
-Renaissance
-the King's Men
-18th cent.
The First
Actors
-Thespis
-hypokrites
-Plato
The Question
of Realism
-realistic and truthful
-nonrealistic behavior
-Greek
The Declamatory
Style of Acting
-larger than life acting style
-different in several periods and cultures
-presentational (bombastic)
-verse
-characters were larger than life
-directed toward audience instead of the other actors
-encourages breaking character
-broad gestures and vocalizations were desired
Women
on the Stage
-Greek and Roman
-Renaissance
17th Century
-Sarah Bernhardt
-gender neutral castingof Hamlet
Portraying
Emotions and the Paradox of Acting
-18th & 19th century
-best way to portray emotions onstage
-personal inspiration
-certain madness
-feel nothing
-Denis Diderot
-appropriate to these classical plays and melodramas
-Samuel Goldwyn
Naturalistic
Acting
-naturalism
-playwrights wanted an exact duplication of life
-representational
-prose
-everyday situations
-actors must be in character
Modern
Acting and the Stanislavsky System
-"living the part "
-"method"
-reliable scientific technique
-put actors through analysis to determine their motivations
-character analysis
-life giving techniques
The
Essentials of Character Analysis
-Determining the Given
Circumstances
-The
Magic If
-Marlon Brando vs
Alec Baldwin
-The
Super objective and the Through Line of Action
-super objective
-sequence of attempts to accomplish goal
-Making Choices
Believable
-Emotional
Recall: the Inner Technique
-method acting-inner
approach to acting
-Lee Strasberg
-The Method
of Physical Actions
Other
Modern Styles of Acting
Avant-Garde Acting
-intentionally non-realistic techniques and philosophies
-symbolism, expressionism, absurdist and existentialist plays
-performance art
-characters are not complete
-mechanical and abstract
-non sequitur
-depict the meaninglessness of the modern world
-multimedia spectacle
-Robert Wilson
-directors have tried to force actors to develop new methods of performance
to suit their own avant garde ideas
-Peter Sellars
-determined from playwrights and directors and forced on the actors
Improvisation
-is the most performer dominated style of acting
-psychodramas
-commedia dell 'arte
-comic business-lazzi
pratfalls
slapstick
-Second City
-ensemble playing is important
Clowning
-developed from vaudeville, circus and burlesque
-create their own stage personas (identities)
-played their personas in every play or film they were in
-new vaudeville
-perform solo
Transformations
-playing many characters by one actor is a single play
-minimum of technical choices
-Ancient Greeks
-Open Theatre
Multicultural Alternatives
-variations on Stanislavsky and alternatives
-origins in other countries
-Peter Grotowski
-he founded the Polish Laboratory Theatre
-published Towards a Poor Theatre
-use physical and mental powers
-all music produced with the actors voices
-absolute physical control over their bodies
-Suzuki -a popular new acting methodology
-The Way of Acting
-some in the US follow this technique
-emphasized the physical and vocal expressions
-stomping
-zamissel
-Stage West
Histrionic Convergence
-chaotic images reflect cultural convergences on the world's stages
-national acting traditions
-multilingual plays
-adept at all styles of impersonation
The
Demand for Skills: Making Choices Possible
-actors instruments are voice and body
The Technical Demands of Stage Acting
-film actors
-theatre actors
-Laurence Olivier- King Lear
-Vocal Skills
-articulation
-projection
-relaxation
-speaking dialogue
-illusion of the first time
-accents and dialects
-vocabulary, grammar and pronunciation
-singing
-head voice vs chest voice
-Physical Skills
-idiosyncrasies
-expert assistance of specialists
-period styles
-stage combat
-slapstick and circus tricks
-knockabout
-pratfalls
-shtick
-comic timing
-juggling, stilt walking, tumbling, acrobatics
-dancing
-Performing -technical skills
-eating
-sitting
-talking on the phone
-firing a blank gun
-staying open
-gesture with upstage hand
-circular patterns
-fake deep passionate kisses
-fake romantic contact
-Mental Skills -
-concentration
-public solitude
-circle of attention
-Memorizing Lines
-blanking
-Listening and Adaptation
-cue
-acting in the moment
-Perception
-observation
-possible choices
-can't play what they have not experienced
-Job Skills
-most skills and versatility of styles
-specialize according to their talents
-musicals
-naturalistic
-classical
-improvisation
Personality
vs Character Actors
-cast according to types
-personality actors
-character actors
Auditioning
-agents and managers
-private auditions
-cattle calls
-principal interviews
-standard auditions
-chorus auditions
-dance auditions
-cold readings
-high anxiety situations
Rejection
Callbacks
-it is important to stand out from the crowd
-actors are addicted to the thrill of the live audience
Standing
Publicly With Their Choices
-presentation to the audience
-develop certain traits
-Stage Presence
-Passion
-Risk
-Superstitions
-Stage fright
Design
for Acting
The
Actor at Work
-Meryl Streep -Ironweed
-creates characters pore by pore
Choices
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